Santos Hernandez – 1932

About the luthier

Santos Hernandez (Madrid, 1873-1943) started an apprenticeship very early in Valentin Viudess workshop and then moved to Jos Ortegas Granadinian workshop. After moving to a few other workshops and serving as a soldier for Spain, he eventually took over Enrique Garcias position in Manuel Ramirezs workshop in 1905. His involvement in the building of Andrs Segovias famous 1912 Manuel Ramirez sealed his reputation as an extraordinary luthier. He opened his first own workshop in 1921 after having worked for Manuel Ramirezs widow along with Domingo Esteso.

About the guitar

This exceptional guitar is considered one of the luxury models made by Santos Hernndez, clearly distinguished by its elaborate decorative elements. Although dated 1932 on its label, clearly reflects the design and craftsmanship typical of Santos Hernndezs work from the 1920s. The materials usedparticularly the Brazilian rosewood for the back and sidesare consistent with the wood Santos had access to during his tenure at Viuda de Manuel Ramrez. The rosette features a central motif reminiscent of ancient Greek design, a distinctive detail also commonly seen in his earlier works under Viuda de Manuel Ramrez.

Historical Significance & Attribution

According to Gabriele Lodi, who restored this remarkable instrument, its crucial to understand the transitional period when Santos Hernndez left his role at the Viuda de Manuel Ramrez workshop and established his own. During this early period of independence, he is believed to have entered an exclusive production contract with the firm Romero y Fernndez, which helped secure a steady income and guaranteed salesparticularly for the Argentine market. These guitars varied in their level of ornamentation and quality, and some were even delivered without labels. It was possibly during this phase that Santos began marking his guitars with a unique stamp beneath the soundboard as a sign of authenticity and authorship.

Construction & Internal Design

Internally, this instrument echoes Santos Hernndezs Torres-inspired construction style, which he developed during his time with Manuel Ramrez. This makes the guitar not only a historically significant example of early 20th-century Spanish luthiery but also a rare document of a master craftsmans evolution.

Sound & Playability

Sonically, the guitar is a marvel. It captures the essence of the old world tonewarm, lyrical, and full of nuanceyet remains relevant and inspiring for modern repertoire. The bass response is rich and free due to the low body resonance, while the trebles are sweet, charismatic, and articulate. It is an instrument of great expressive range, equally suited for refined historical interpretation and contemporary concert performance.

Condition

This guitar is in very good condition. It has been professionally restored by Gabriele Lodi, one of the most highly respected experts in the restoration of historical instruments. His meticulous work ensures that the guitar retains its original character and acoustic qualities while being structurally secure and visually refined. This restoration enhances both the value and longevity of this exceptional instrument.